Ngbaka Figure Miniature 11.25 Inch Congo

Description: {Description}Ngbaka Figure Miniature 11.25 Inch Congo This figure comes from the culturally dynamic northwestern region of the Democratic Republic of the Congo along the river systems feeding the great Congo River, especially from the Ngbaka or Ngbandi. The Ngbaka moved into the area inhabited by the Ngbandi in an area bounded by the Ubangi and Lualaba River systems and as a result both groups share sculpture forms and the details of scarification that often leads to some confusion as to the attribution of their sculpture. Ngbaka use anthropomorphic figures, generally in pairs, to represent mythological and distant family founders known as Seto a male and Nabo his wife that are kept on family shrines. Ngbaka figures take their red color from being washed in palm oil and red tukula powder made from tree bark. The facial features are divided by a vertical line of scarification that in other figures extends onto the lower body. The shaping of the details of the body are truly a study and sculptural inventiveness. Ngbaka sculptures are typically anthropomorphic figures, often depicted in pairs, and hold significance in representing mythological and ancestral figures known as Seto (male) and Nabo (female). These sculptures are kept on family shrines and are associated with the Ngbaka people's spiritual beliefs. One distinct characteristic of Ngbaka figures is their red color, which is achieved by washing them in palm oil and applying red tukula powder made from tree bark. The use of these materials not only adds a vibrant hue to the sculptures but also holds symbolic importance within the Ngbaka cultural context. Scarification is another significant aspect of Ngbaka sculpture. The facial features of the figures are divided by a vertical line of scarification, which in some cases extends onto the lower body. Scarification is a form of body modification that involves creating decorative or symbolic patterns on the skin through controlled scarring. The presence of scarification on Ngbaka figures contributes to their distinctive aesthetic and cultural identity. The Ngbaka people demonstrate remarkable skill and sculptural inventiveness in shaping the details of the body in their sculptures. The craftsmanship and attention to detail in Ngbaka art reflect the cultural significance and artistic traditions that have been passed down through generations. Overall, the Ngbaka sculptures serve as tangible representations of their cultural heritage, mythologies, and ancestral connections. They are not only visually captivating but also hold deep cultural and spiritual meanings within the Ngbaka community. Ngbaka Figure Miniature 11.25 Inch Congo This figure comes from the culturally dynamic northwestern region of the Democratic Republic of the Congo along the river systems feeding the great Congo River, especially from the Ngbaka or Ngbandi. The Ngbaka moved into the area inhabited by the Ngbandi in an area bounded by the Ubangi and Lualaba River systems and as a result both groups share sculpture forms and the details of scarification that often leads to some confusion as to the attribution of their sculpture. Ngbaka use anthropomorphic figures, generally in pairs, to represent mythological and distant family founders known as Seto a male and Nabo his wife that are kept on family shrines. Ngbaka figures take their red color from being washed in palm oil and red tukula powder made from tree bark. The facial features are divided by a vertical line of scarification that in other figures extends onto the lower body. The shaping of the details of the body are truly a study and sculptural inventiveness. Ngbaka sculptures are typically anthropomorphic figures, often depicted in pairs, and hold significance in representing mythological and ancestral figures known as Seto (male) and Nabo (female). These sculptures are kept on family shrines and are associated with the Ngbaka people's spiritual beliefs. One distinct characteristic of Ngbaka figures is their red color, which is achieved by washing them in palm oil and applying red tukula powder made from tree bark. The use of these materials not only adds a vibrant hue to the sculptures but also holds symbolic importance within the Ngbaka cultural context. Scarification is another significant aspect of Ngbaka sculpture. The facial features of the figures are divided by a vertical line of scarification, which in some cases extends onto the lower body. Scarification is a form of body modification that involves creating decorative or symbolic patterns on the skin through controlled scarring. The presence of scarification on Ngbaka figures contributes to their distinctive aesthetic and cultural identity. The Ngbaka people demonstrate remarkable skill and sculptural inventiveness in shaping the details of the body in their sculptures. The craftsmanship and attention to detail in Ngbaka art reflect the cultural significance and artistic traditions that have been passed down through generations. Overall, the Ngbaka sculptures serve as tangible representations of their cultural heritage, mythologies, and ancestral connections. They are not only visually captivating but also hold deep cultural and spiritual meanings within the Ngbaka community. × × × × × × × Buy now and save! 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Price: 190 USD

Location: Denver, CO

End Time: 2024-10-26T19:33:47.000Z

Shipping Cost: 20.98 USD