Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Walter Crane (English, 1845-1915) Title: The Chariots of the Hour (Wettlauf der Stunden)Medium: Antique heliogravure on wove paper after the original by a Master Engraver. Signature: Signed in the plate, lower right.Year: 1890Condition: ExcellentDimensions: Image Size 5 5/8 x 11 1/4 inches. Framed dimensions: Approximately 15 x 20 inches. Framing:This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 123 years old. The strike is crisp and the lines are sharp. Extra Information:In general, Cranes allegorical style pictures were less appreciated in England than they were in Germany. The most consistent collector of these paintings was Ernst Seeger of Berlin, who owned, among others, The Bridge of Life and The Chariots of the Hours, a Wagnerian composition that won a gold medal at the Glass Palace Exhibition at Munich in 1895. This is now lost, but many of Crane's paintings that found homes in Germany are now in German public collections. They include Neptune's Horses (1893; Munich), The Mower (1901; Karlsruhe), and A Masque of the Four Seasons (1905-9; Darmstadt). Artist Biography: Walter Crane was an English illustrator, painter, and designer primarily known for his imaginative illustrations of children’s books. “King Cole” He was the son of the portrait painter and miniaturist Thomas Crane (1808–59), and he served as an apprentice (1859–62) to the wood engraver W.J. Linton in London, where he was able to study both the Italian old masters and contemporary work by Dante Gabriel Rossetti and John Millais. Probably the most important technical development in his art derived from his study of Japanese colour prints, whose methods he used in a series of toy books (1869–75), thereby starting a new fashion. The ideas and teachings of the Pre-Raphaelites and of John Ruskin manifested themselves in his early paintings such as “The Lady of Shalott” (1862). He came to oppose the policies of the academy, which steadily refused his later work. In 1864 he began to illustrate an admirable series of sixpenny toy books of nursery rhymes for Edmund Evans, the colour printer. A new series, beginning with The Frog Prince (1873), was more elaborate, and to the Japanese influence was added that of Florentine 15th-century painting, following a long visit to Italy. “Map of the British Empire” A strong didactic, moral element underlies much of Crane’s work, and for several years he contributed weekly cartoons to the socialist periodicals Justice and The Commonweal. Many of these were collected as Cartoons for the Cause (1896). He was founder-president of the Art Workers’ Guild and in 1888 founded the Arts and Crafts Exhibition Society. Crane designed Art Nouveau textiles and wallpaper that became internationally popular. Crane became art director first of the Manchester School of Art (1893–96), then of Reading College (1896–98), and finally principal of the Royal College of Art, South Kensington, London (1898–99). His chief importance lies in book illustration, the standard of which he helped greatly to raise. He worked with William Morris in 1894 on the page decorations of The Story of the Glittering Plain, printed by the Kelmscott Press in the style of 16th-century German and Italian woodcuts. Among the best of his book illustrations are those for Edmund Spenser’s Faerie Queene (1895–97) and The Shepheardes Calendar (1897). Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |
Price: 554 USD
Location: Cape Coral, Florida
End Time: 2025-01-18T22:20:00.000Z
Shipping Cost: N/A USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Return policy details:
Size Type/Largest Dimension: Medium (Up to 30in.)
Listed By: Dealer or Reseller
Framed/Unframed: Matted & Framed
Type: Print
Signed: Signed
Date of Creation: 1800-1899
Features: Framed, Matted, Signed
Framing: Framed
Subject: Fantasy
Print Type: Heliogravure, Photogravure